How can an institution be considered as an actor in society based on artistic experiences, practices and intentions?
Andreas Liebmann establishes a dialogue about challenges and qualities of artistic self-instituting and the relation of the local work to specific areas of crises that matter in different ways to many self-instituted artistic spaces and practices.
This publication contains excerpts of the dialogues as well as essays by Annett Hardegen and Dirk Cieslak (Vierte Welt, Berlin), Marijana Cvetkovic (Stanica/Station for dance, Magacin, Belgrade) and performance researcher Storm Møller Madsen (Copenhagen University).
Co-conceptualisation and design by Miriam Hempel.
andreasliebmann.net